Sarah Browning

Two months into the trial separation

a man offers me coke in a hotel bar
30 years or more since my last time, racing
through campus as a light snow fell
on the black balloons I gripped, props
left over from my friend Carl’s production
of Suddenly Last Summer, the coke racing
my already high strung body, high strung
my mother’s words for the anxiety she and
my father grew in me with their fractured
union—my father’s fist to the dining table
my mother’s excuse for my father’s fist—
so that in the conference hotel bar the man
has to talk me through it, the bathroom stall
the key, how I only need a little and he’s right
I party with him all night and I am sad, so sad
my life strung along my hurting nerves and
awake, awake despite the booze and later
the weed and the one dry-mouthed kiss
with the man before I call a car and ride
home in the dawn, awake, so awake


Sarah Browning is the author of Call Me Yes (FlowerSong, 2026), Killing Summer (Sibling Rivalry) and Whiskey in the Garden of Eden (The Word Works). Co-curator/host of Wild Indigo Poetry, she teaches with Writers in Progress and coaches writers one-on-one. Co-founding director of Split This Rock, Browning received the Lillian E. Smith Writer-in-Service Award and fellowships from the DC Commission on the Arts & Humanities, VCCA, Yaddo, Porches, and Mesa Refuge. She has been guest editor or co-edited special issues of Beltway Poetry Quarterly, Origins, The Delaware Poetry Review, as well as three issues of POETRY magazine. She lives in Philadelphia. More: www.sarahbrowning.net