Matthew Thorburn
To 321-6078
O first chain of digits I ever memorized,
number I punched in button by button
or, when very young, dragged
awkwardly around the rotary dial
with my finger to call home.
O number that followed my parents
and me, then just them, from house
to house for nearly fifty years—
Picketts Way, Westport Drive,
Willow Woods Lane, and finally
Vienna Way—until before long
the phone rang less
and less, then not at all, or only
with recorded messages, reminders
of doctor’s appointments, wrong
numbers, someone selling insurance.
They took the boxy black phone
off the wall, pulled the jack, the hole
plastered, painted over and forgotten.
A framed seascape hangs there now.
O number my parents filled in on
permission slips for school field trips
to say where they could be
reached in case of an emergency
that never came. O number
I keep on my cell phone, on speed dial,
even now because it still calls up
this love for what was, a partial cure
for the loneliness that stretches
like telephone wires from New Jersey
back to Michigan. O number I’d dial
to hear Dad say, “Hang on a sec,
I’ll tell Mom you’re on the phone,”
hear her “Hell-oh?” and the story
of whatever they were doing—
clearing the table, watching CNN
or Wheel of Fortune. O number I know
I’ll always know by heart—
number I’ll remember when everything
else is lost. “Why,” people will wonder,
“does that old guy move his finger
in a circle as he mumbles, ‘Three, two…?’”
Matthew Thorburn’s new book of poems is A Hundred Birds, forthcoming from Louisiana State University Press in Spring 2027. He’s also the author of six previous books, including String, a novel in poems, and The Grace of Distance, a finalist for the Paterson Poetry Prize. His writing has been recognized with the 2026 Guy Owen Prize from Southern Poetry Review and a 2025 Finalist Award from the New Jersey State Council on the Arts.


