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George Young
Science and Poetry i They say a rainbow is only bright sunlight splintered by water droplets into the visible spectrum of colors. It’s really not there. But we also have Elizabeth Bishop’s rainbow bird from the narrow bevel of the empty mirror waiting to fly. Both, equally exquisite— a prismatic light, a lovely bird to the human eye. ii Here— a lesson in entropy: catch a falling snowflake on your tongue, bringing chaos to all those water molecules that had become (but alas, gone too soon) a perfectly designed, hexagonal crystal— unique in all the universe. iii One of the most famous photographs ever taken by the Hubble is of…
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George Drew
Reading a Buddy’s Badass Book Reading a buddy’s badass book about his tour of Hellin Vietnam, a book of poems that drive the horror home,I find myself enjoying every poem, smiling sometimes,hip to his poetics, his often gut-gouging metaphors,his always straight-ahead truth telling. After the last poem, after the covers close on his galleryof grotesqueries, I go to bed, have bad dreams,and recalling them in the morning when dawn light isthe washed-out gray of all those faces, I write poems,the only atonement I have, the only deterrent. George Drew is the author of nine poetry collections, including: Pastoral Habits: New and Selected Poems and The View from Jackass…
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William Aarnes
Ode: Age Spots On suspended platforms outside the apartment building across the street, masons move about in an order seemingly chosen by chance. Two to a platform, they break open patchy sections of brick and then mortar in replacements, the new bricks a tad darker— haphazard but thorough work proceeding as if there’s no plan to finish. Isn’t that how skin is— cells replaced by new ones …
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Jenny Lewis
After the Mastectomy for Terry When my waking mind became rimed solidit only allowed me memories in dreams like when I dreamed I was trying on new clothesin an enclosed cubicle in a high street shop and someone parted the cubicle curtain – the shock!How fast and inexpertly I tried to cover myself. How fast the relief when I saw it was you,no threat, but only a sense of comfort. I woke up knowing the threat of waking upis to be once more connected to the truth. The truth is you have died and I feel pain again.It jolts like a horse with a hot-headed rider. The weight inside me…
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Lauren Camp
Buttons Trains tuck into the stationthen resuscitate with resilient cadence.These days unlikeother days you know are an anatomyof sound and weather. Clamor, advance. It is enough of a purpose to move through—to concentrate on moist earth odors.Rain at the gate. Leavesdive from trees. Ringing bells. Inside white rooms insiston accurate measuremoving to proof. The doors are alllocked in this ongoing sequence. So you are loose on the path.The harbor licks the road, rolling up and along.Even as the fog flings out, ducks frock. Men fish in morning orange, thigh-deep,the rods continual. How finethe line until it tarps. Red-berried groundcherry buttons its coat.The sky is wild as goats.It is as if…
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Sandra Hosking
Strawberry I shot my grandmother, almostat the cabin in Strawberry,snow kissing its chestnut slatsand white scalloped trim.Two-year-old me upstairs, alonein the slanted bedroom,which smells like painted firewood.I inspect drawers and finda comb, a pencil, a .45I level the barrel at the dooras Gran appears,her mouth a perfect O. Sandra Hosking is a Pushcart-nominated poet, playwright, and photographer based in the Pacific Northwest. Her work has appeared in Red Ogre Review, The Elevation Review, Havik, Black Lion Review, and more. She holds M.F.A. degrees in theatre and creative writing.
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Seth Hagen
The Dunes When I told him of the deer skull,he leaned in, so I took him backthrough where I’d been exploringunder oaks and down game trails to the dunes where it was—the single vertebra and the eyelessthing, egg-like and bleached by the sun,its broken jaw a couple hands away, and I watched him lift it from the sandto wrap as a relic and nest in his sackto carry home until he found enough bonesfor his art, and although I never knew its weight, I try to remember how it felt,the deep light over that sea, the whitebowl embalmed in the bag, as I put my handto the head of my…
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Kurt Olsson
Anecdote The first year, students would come up to mebetween class while we all stood outside the little kindergarten that had been convertedinto the English faculty in the hinterlands of the former Soviet Union and say, Mr. Kurt,tell us please an anecdote. Life until then hadn’t lent itself to Chekhov, let alone Turgenevor Tolstoy, but I’d lived a slew of anecdotes. The students would lean in close and laughat the end, glancing at one another, one maybe balling his hand in a fist and clipping a neighboron the shoulder, before they would thank me and shuffle back through unlit halls paintedwith ducks and dancing bears to their next class. My…
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Christien Gholson
Tidepool: Elegy 1. Waves fall into themselves all night long. I dream ofinsomniac children playing at the water’s edge, darkcircles under their eyes – so many unseen deathsbattering against their sleep. 2. Grim skies, grey, no shadows, rain-pocked sand. I listento sea water slip down rock. Drops hit the surface of atidepool. I am there for the moment when the surfaceclears: body and thoughts, still. 3. The drop moves through the seams of tendon, networksof blood, marrow, into a cave without light, arrivesat a cache of smooth black stones placed in a circle bygrief. 4. A sculpin with huge black eyes takes in the worldfrom the safety of a red…
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Madina Tuhbatullina
Humming Throats Did the fly drown in the cup already?Every existence is a digestion—furniture grazes skin likefingers soak clouds Let’s wait for all fliesto cross the swallowingwe can work with what’s left. Madina Tuhbatullina is an international student from Turkmenistan, receiving a Creative Writing MFA degree at the University of Nevada, Las Vegas. Madina’s work has been published or is forthcoming in New Note Poetry, PubLab, great weather for MEDIA’s anthology and elsewhere. Madina is an alumna of the Los Angeles Review of Books Publishing Workshop and Tupelo Press Manuscript Workshop.